by Roger Pe
In the past, when marketers would like to advertise, ad agencies would readily say, “let’s make a tv commercial or a print ad or a radio ad” and that was it.
Media specialists were excluded from the picture from day one of the thought process. They only came in on implementation day.
They, too, were always in the last sequence of every imaginable presentation (brand campaign launches, pitches, reviews, etc). They only hugged the spotlight when ads were already in the can, ready to roll, be seen and heard by millions of audiences.
“If you think that is still the same today, you are in the wrong business,” says Lito “Boy” Pangilinan, organizer and chair of the first MSAP (Media Specialist Association of the Philippines) Media Congress that opened to a rousing start last Monday.
Pangilinan is also MSAP’s Vice-President and the congress, his brainchild - a lock, stock and barrel Philippine Ad Congress but single-minded in discussing solutions on the future of advertising media.
He is currently CEO of Carat Philippines, part of Carat Worldwide, the first and truly independent media in the world and under Aegis Media, the world’s largest independent group.
Formerly Managing Director of MediaCom and GM of Campaigns & Grey, Pangilinan was also media director for Dentsu, Young & Rubicam’s entire media operations in Asia-Pacific, Ad Standards Council and Adboard director, 4A’s and Agency of the Year Awards chair and wrote “Effective Media Planning” chapter of “The Science of Advertising”, a 2-volume book.
“The Media Congress seeks to be the answer to the industry’s need for revolutionary media ideas and focused perspectives shared on a frequent cycle,” he tells Business Friday.
The Congress is slated to take place every other year, its key function is to update media agencies, clients and suppliers on innovative media and other trends.
At Resorts World Hotel, all members of the association enjoyed a ‘media holiday’ as the theme, “Brave New World: Embracing the Media Revolution” unfolded.
The program was value-packed with learnings, as enriching as attending an overseas advertising festival. The price tag: far less than a fraction of what a regional conference of that sort would cost.
The Philippines’ first Media Congress covered talks from leaders in media and high profile clients on the latest trends and best practices in various touch points: OOH (out-of-home), print, digital and broadcast (radio and television).
A star-studded cast of speakers delivered relevant topics with experts covering traditional, new, innovative and future media.
Among them were Bunny Aguilar of Globe Telecom, Donald Lim, Managing Director of MRM (McCann Relationship Management) Manila, Santi Elizalde of Manila Broadcasting Company and former McCann-Erickson President and Chief Operating Officer Nandy Villar, now ABS-CBN Head of Customer Relationship Marketing.
The various forums focused on the noticeable shift in how media was being consumed – how consumers themselves are now having more control and how media agencies are keeping up with new challenges and demands.
The highlight of the congress was a discussion between heavyweight CEOs of media networks from Asia Pacific: Nick Waters, CEO of Aegis Media, Mark Patterson, CEO of GroupM and Ranganathan Somanathan, COO, Starcom Mediavest Group Southeast Asia.
Is death of traditional media forthcoming?
Every Pinoy Tom, Dick and Harry is talking digital nowadays. You’re not cool if you’re not. You’re a relic if your ad agency doesn’t have an adjacent room full of geeks existing in their webworld.
As the landscape continues to change, new broadband products emerge, smartphones double their figure usages, and consumer behavior supports the phenomenon, digital becomes a primary highway.
The growth of Philippine online advertising at 26% penetration level can be best described as rapid.
The figure is guaranteed to double in a short time, prompting observers to ask: will Digital cast its death knell on traditional media?
“Anyone in the field of media and communications, such as those in this group, are constantly pressured to “go digital and online,” almost suggesting that a bias for the more traditional media, like television, is a jurassic way of thinking,” Villar said in his “Beyond Television” speech.
Villar set the record straight. Using the Mayan calendar doomsday wildfire as an example, he said: “The world did not end on December 21, 2012 and it turned out, it was just good for a good laugh.”
In his speech, Villar mentioned about the supposed-to-be “death of tv”. On the contrary, he said “tv, that 32” screen in your living room, will be one of the surviving screens in the future.”
Villar noted that as smaller, ‘smarter’ screens are flooding the market, they get cheaper and cheaper to buy and becoming people’s default “screen” than the traditional tv, marketers would naturally get scared.
“But tv is not just about the screen, tv is what you watch. It is the teleserye that made you cry, the sitcom that made you laugh, the bit of gossip that made your jaw drop, the cute ‘artista’ that made you swoon,” Villar said.
He went on to say that today, “tv is accessible in every screen, big or small. The multi-screen phenomenon is not killing tv, it’s even making it more ubiquitous.”
Villar said that with “ubiquity comes a bigger appetite for content. Not only do we want more of tv, we want to do more with our tv, we want to interact with it, play with it and be a part of it.”
Largely single-tv households
In the Philippines, Villar said, traditional tv is still prevalent. Majority of people in fact, still flock to watch their favorite shows.
He cites “Be Careful With My Heart” breaking 30% ratings before noontime. “When that happens, you know that tv viewership is alive and well,” he said.
This tv-centeredness of Filipinos, according to Villar, actually helped shape ABS‐CBN’s version of “multi‐screen” that is largely focused on content.
“It’s the content that people converge around. Powerful content can lead to new and meaningful experiences for the audience,” he emphasized.
“When a show becomes a “hit”, it is because it has engaged various audiences in various ways. A “hit”, therefore becomes an ideal springboard for alternative executions where the same piece of content is re-¬engineered to create new experiences, to be enjoyed in new media,” he continued.
Re-engineering television
Villar shared ABS-CBN’s 3 initiatives wherein the network has created new experiences by re-¬engineering the medium via: Digital Terrestial TV (DTT), Imortal and Iwantv.
“Each of these offers different insights into how content compliments technology in shaping viewer behavior,” he said.
DTT is the digital black box, the platform by which content is transmitted over a digital signal giving significant improvement over the current analog technology.
The result is a clearer signal and better overall viewing experience. It is the evolution of tv towards meeting the needs of the Filipino family.
In many parts of the world, like Japan and Europe, “DTT is already the norm”, Villar said. “We hope that the Filipino audience will soon enjoy the same digital technology—sooner than later,” he said.
Villar also punctuated the further evolution of the medium through the network’s iWantTV, an online video platform that offers free access to video content owned and licensed by the same and its subsidiaries.
He stressed how iWantTV has made tv enjoyment on Filipino audience’s terms.
iWantTV is now the country’s most successful local video site, averaging 18 million page views per month, 1 million unique users per month, with1.2 million registered users and still growing.
In today’s digital environment, how do we deal with the changes of the tv medium, multi-¬screen, cord-¬cutting, and other doomsday scenarios?
Villar concluded: “They shouldn’t cause us to panic. As a matter of fact, we should embrace them, because rather than signal the death of tv, they should actually herald a new age of ubiquity for tv,” he said.
A collection of ads I like and those I created as an adman. In between are some of my published articles about dreamers, achievers, those who reached for the stars, interviewed personally and through email. Hope their stories may inspire you a little.
Thursday, January 31, 2013
Tuesday, January 22, 2013
THE GENIUS BEHIND YOUR FAB GADGETS
by Roger Pe
If not for an adopted son and a college dropout, the world will not endure queueing in long lines just to own the brand he made famous.
It is also unthinkable talking about that brand without talking about the man who made it synonymous to technology.
Steve Jobs is one of this century’s most admired men, largely instrumental for making Apple the most valuable company in history. At 621 billion dollars as of 2011, Apple alone is now worth more than what 200 countries could produce in an entire year.
In his speech at Stanford University’s graduating students, Jobs inspired millions for his humble beginnings. He delivered many inspiring lines. “Stay hungry. Stay foolish” was among them, which countless people now often quote.
We also got to know that The Beatles was his business model.
“They were four guys that kept each other's negative tendencies in check, they balanced each other, and the total was greater than the sum of the parts. Great things in business are never done by one person, they are done by a team of people,” he said.
Jobs announced his resignation as Apple's CEO on August 24, 2011, naming Tim Cook as his successor. He continued working before he passed away a week later.
The demand for Apple gadgets even grew with Jobs’passing away as in the case of the iPhone 5, the world’s newest smartphone.
A smartphone or any item from Apple almost always turns into a spectacle. It’s not because of a massive, systematic PR blitzkrieg. The brand is becoming generic to technology and innovation.
What is smartphone?
A smartphone is a feature-packed device that lets you experience amazing applications beyond calls, texting, capturing photos and audio-video recording.
It allows you Internet browsing, email handling, and a host of other entertainment and amusement apps at blazing speed whose operating system is called android.
Nokia introduced the world’s first smartphone in 1996. Since then, the number of users for the category has grown significantly. For the third quarter of last year, users totaled 1.03 billion, a whopping 47% increase for the same quarter of 2011.
The smartphone market in 2011 was estimated to be worth $219 billion, according to Bloomberg Industries.
The research firm predicts that by 2015, the number will double to 2 billion.
Choosing the best smartphone can be overwhelming as the field is wide open, offering gadget freaks with dizzying choices - from the sleekiest to the most glamorous with a number of brands vying for attention.
Apple, Samsung and Blackberry are three brands enjoying top-of-mind awareness and sales volume in most markets. The first two are also presently imbroiled in copyright infringement suits since the former launched the iPhone.
Apple’s flagship has been the iPhone lines 3, 4, and of late, the iPhone 5. Samsung’s Galaxy Note 2 and Galaxy S3 are its bestsellers, which according to gadget bloggers: “smashed all-time sales records at retailers the world over.”
Recently Nokia bounced back with its Nokia Lumia and Asha series but still not enough to regain its once lofty standing in the category.
Blackberry on the other hand is reportedly coming up with it big equalizer: The BlackBerry 10, with softwares that according to gadget watchers can rival the best of iPhone 5 and Samsung Galaxy S3.
iPHONE 5: THE BIG APPLE SENSATION
Cuddling in sleeping bags and heavy coats, Apple-fanatics in New York camped outside of Apple’s 5th Avenue store as they waited for the doors to open.
Taller, faster, lighter and slimmer than the previous model, the iPhone 5 is the world’s newest conversation piece, undoubtedly the newest must-flaunt gadget.
It has a wider screen with a stunning new 4-inch Retina display, an Apple-designed A6 chip for blazing fast performance and ultrafast wireless technology - all with even better battery life.
The iPhone 5 has iOS 6, the most advanced mobile operating system in the world, and over 200 new features, including shared photo streams, Facebook integration, all new map apps and a passbook organizer.
Elsewhere, more than 700 applications for pre-order were immediately collected in Tokyo at one time before the product was launched. The same scene happened in major capitals of Asia, Europe and North America.
Tennis sister superstars Serena and Venus Williams starred in a iPhone 5 tv commercial and influential trade magazine Adweek called it “the most enjoyable iPhone tv ad yet.”
iPhone 5 in Manila
Last month, it was Manila’s turn to go crazy for of one of Jobs’ legacies.
iPhone diehards went wild and naturally,
crowds trooped to Globe Telecom’s event at the new Glorietta Activity Center in Makati where celebrities like Kris Aquino, Bamboo and Paulo Avelino greeted a massive audience.
Over at Bonifacio, Global City, excited customers lined up as early as 5:30 a.m. of Friday at Globe’s fulfillment store just to be the first to get their hands on the iPhone 5.
“Finally, the iPhone 5 has arrived in the Philippines and Globe is beaming with excitement to bring the much-anticipated iPhone 5 to Filipinos nationwide,”
Peter Bithos, Senior Advisor for Consumer Business at Globe Telecom, said.
The telcom company has a five-year history in launching the iPhone. “Globe is definitely the perfect partner of the iPhone 5 with offers going beyond just pricing,” Bithos said.
Bithos emphasized Globe’s strong partnership with Apple after it exclusively carried the iPhone 3 in 2008 all the way to the iPhone 4 in 2010.
In a public announcement, Bithos said Globe now has a stronger and more reliable network nationwide, with “best package” offerings across customizable postpaid plans, rewards and freebies, retail and store experience, value-added services and apps the customers deserve.
Perks and privileges
For as low as P1,799* monthly under Globe’s Unli Surf 999 with monthly cashout of P800, subscribers can maximize the features of the latest iPhone with unlimited mobile browsing and a call and text freebie.
It is also available at P1,999 monthly under Unli Surf P1799 with P200 monthly cashout complete with unlimited data, P800 monthly consumable for calls and texts, and three (3) call and text freebies.
Globe also offers light and easy payment terms for monthly cashouts, where subscribers can avail of the 0% installment at 3, 6, 12 or 24 months for partner credit cardholders1, making the iPhone 5 more affordable.
Existing postpaid subscribers can also enjoy the iPhone 5 with the innovative “Reset” program, which allows subscribers to renew or extend their existing account to get the device at a discount.
Subscribers also get free four (4) months of mobile phone protection under Globe Gadget Care, protecting devices from accidental damage, theft or robbery.
Under its most affordable and customizable postpaid plans offering subscribers a chance to customize their plans with over 21 million possible combinations, subscribers can also avail of the iPhone 5’s unlimited mobile browsing and a call and text freebie.
Globe iPhone 5 subscribers are also eligible to avail 1-year free subscription to GCASH American Express Virtual Card, 50% discount on iPhone 5 accessories, free and exclusive download of mobile apps, giving them access to movies, financial services, account management, and mobile messaging.
On top of these generous Globe subscribers can take advantage of the telco’s modernized network, an upgrade that is now 80% complete.
Aside from its superior plans, Globe offers light and easy payment terms for monthly cashouts, where subscribers can avail of the 0% installment at 3, 6, 12 or 24 months for partner credit cardholders1, making the iPhone 5 more affordable.
Existing postpaid subscribers can also enjoy the iPhone 5 with the innovative “Reset” program, another Globe-first, which allows subscribers to renew or extend their existing account to get the device at a discount.
This means that if a subscriber’s 24-month contract is still not up for renewal to get a new device, a corresponding “reset fee” can be settled to get the iPhone 5 under the same postpaid line.
On top of these genius offers, Globe subscribers can take advantage of the telco’s modernized network, which has already reached almost 80% completion to date, giving customers clearer calls, faster connections, on-time text messages, faster surfing and downloading, as well as more pervasive 3G network and expanded 4G network.
Globe holds a strong partnership with Apple after it exclusively carried the iPhone 3 in 2008 all the way to the iPhone 4 in 2010. This year, pre-orders for the iPhone 5 via the Globe website hit fever pitch, with thousands of subscribers eagerly anticipating to get their hands on the newest iPhone device.
With clearer calls, faster connections, on-time text messages, faster surfing and downloading, including a stronger and expanded 3G and 4G network, Globe just might be genius you’re looking for.
If not for an adopted son and a college dropout, the world will not endure queueing in long lines just to own the brand he made famous.
It is also unthinkable talking about that brand without talking about the man who made it synonymous to technology.
Steve Jobs is one of this century’s most admired men, largely instrumental for making Apple the most valuable company in history. At 621 billion dollars as of 2011, Apple alone is now worth more than what 200 countries could produce in an entire year.
In his speech at Stanford University’s graduating students, Jobs inspired millions for his humble beginnings. He delivered many inspiring lines. “Stay hungry. Stay foolish” was among them, which countless people now often quote.
We also got to know that The Beatles was his business model.
“They were four guys that kept each other's negative tendencies in check, they balanced each other, and the total was greater than the sum of the parts. Great things in business are never done by one person, they are done by a team of people,” he said.
Jobs announced his resignation as Apple's CEO on August 24, 2011, naming Tim Cook as his successor. He continued working before he passed away a week later.
The demand for Apple gadgets even grew with Jobs’passing away as in the case of the iPhone 5, the world’s newest smartphone.
A smartphone or any item from Apple almost always turns into a spectacle. It’s not because of a massive, systematic PR blitzkrieg. The brand is becoming generic to technology and innovation.
What is smartphone?
A smartphone is a feature-packed device that lets you experience amazing applications beyond calls, texting, capturing photos and audio-video recording.
It allows you Internet browsing, email handling, and a host of other entertainment and amusement apps at blazing speed whose operating system is called android.
Nokia introduced the world’s first smartphone in 1996. Since then, the number of users for the category has grown significantly. For the third quarter of last year, users totaled 1.03 billion, a whopping 47% increase for the same quarter of 2011.
The smartphone market in 2011 was estimated to be worth $219 billion, according to Bloomberg Industries.
The research firm predicts that by 2015, the number will double to 2 billion.
Choosing the best smartphone can be overwhelming as the field is wide open, offering gadget freaks with dizzying choices - from the sleekiest to the most glamorous with a number of brands vying for attention.
Apple, Samsung and Blackberry are three brands enjoying top-of-mind awareness and sales volume in most markets. The first two are also presently imbroiled in copyright infringement suits since the former launched the iPhone.
Apple’s flagship has been the iPhone lines 3, 4, and of late, the iPhone 5. Samsung’s Galaxy Note 2 and Galaxy S3 are its bestsellers, which according to gadget bloggers: “smashed all-time sales records at retailers the world over.”
Recently Nokia bounced back with its Nokia Lumia and Asha series but still not enough to regain its once lofty standing in the category.
Blackberry on the other hand is reportedly coming up with it big equalizer: The BlackBerry 10, with softwares that according to gadget watchers can rival the best of iPhone 5 and Samsung Galaxy S3.
iPHONE 5: THE BIG APPLE SENSATION
Cuddling in sleeping bags and heavy coats, Apple-fanatics in New York camped outside of Apple’s 5th Avenue store as they waited for the doors to open.
Taller, faster, lighter and slimmer than the previous model, the iPhone 5 is the world’s newest conversation piece, undoubtedly the newest must-flaunt gadget.
It has a wider screen with a stunning new 4-inch Retina display, an Apple-designed A6 chip for blazing fast performance and ultrafast wireless technology - all with even better battery life.
The iPhone 5 has iOS 6, the most advanced mobile operating system in the world, and over 200 new features, including shared photo streams, Facebook integration, all new map apps and a passbook organizer.
Elsewhere, more than 700 applications for pre-order were immediately collected in Tokyo at one time before the product was launched. The same scene happened in major capitals of Asia, Europe and North America.
Tennis sister superstars Serena and Venus Williams starred in a iPhone 5 tv commercial and influential trade magazine Adweek called it “the most enjoyable iPhone tv ad yet.”
iPhone 5 in Manila
Last month, it was Manila’s turn to go crazy for of one of Jobs’ legacies.
iPhone diehards went wild and naturally,
crowds trooped to Globe Telecom’s event at the new Glorietta Activity Center in Makati where celebrities like Kris Aquino, Bamboo and Paulo Avelino greeted a massive audience.
Over at Bonifacio, Global City, excited customers lined up as early as 5:30 a.m. of Friday at Globe’s fulfillment store just to be the first to get their hands on the iPhone 5.
“Finally, the iPhone 5 has arrived in the Philippines and Globe is beaming with excitement to bring the much-anticipated iPhone 5 to Filipinos nationwide,”
Peter Bithos, Senior Advisor for Consumer Business at Globe Telecom, said.
The telcom company has a five-year history in launching the iPhone. “Globe is definitely the perfect partner of the iPhone 5 with offers going beyond just pricing,” Bithos said.
Bithos emphasized Globe’s strong partnership with Apple after it exclusively carried the iPhone 3 in 2008 all the way to the iPhone 4 in 2010.
In a public announcement, Bithos said Globe now has a stronger and more reliable network nationwide, with “best package” offerings across customizable postpaid plans, rewards and freebies, retail and store experience, value-added services and apps the customers deserve.
Perks and privileges
For as low as P1,799* monthly under Globe’s Unli Surf 999 with monthly cashout of P800, subscribers can maximize the features of the latest iPhone with unlimited mobile browsing and a call and text freebie.
It is also available at P1,999 monthly under Unli Surf P1799 with P200 monthly cashout complete with unlimited data, P800 monthly consumable for calls and texts, and three (3) call and text freebies.
Globe also offers light and easy payment terms for monthly cashouts, where subscribers can avail of the 0% installment at 3, 6, 12 or 24 months for partner credit cardholders1, making the iPhone 5 more affordable.
Existing postpaid subscribers can also enjoy the iPhone 5 with the innovative “Reset” program, which allows subscribers to renew or extend their existing account to get the device at a discount.
Subscribers also get free four (4) months of mobile phone protection under Globe Gadget Care, protecting devices from accidental damage, theft or robbery.
Under its most affordable and customizable postpaid plans offering subscribers a chance to customize their plans with over 21 million possible combinations, subscribers can also avail of the iPhone 5’s unlimited mobile browsing and a call and text freebie.
Globe iPhone 5 subscribers are also eligible to avail 1-year free subscription to GCASH American Express Virtual Card, 50% discount on iPhone 5 accessories, free and exclusive download of mobile apps, giving them access to movies, financial services, account management, and mobile messaging.
On top of these generous Globe subscribers can take advantage of the telco’s modernized network, an upgrade that is now 80% complete.
Aside from its superior plans, Globe offers light and easy payment terms for monthly cashouts, where subscribers can avail of the 0% installment at 3, 6, 12 or 24 months for partner credit cardholders1, making the iPhone 5 more affordable.
Existing postpaid subscribers can also enjoy the iPhone 5 with the innovative “Reset” program, another Globe-first, which allows subscribers to renew or extend their existing account to get the device at a discount.
This means that if a subscriber’s 24-month contract is still not up for renewal to get a new device, a corresponding “reset fee” can be settled to get the iPhone 5 under the same postpaid line.
On top of these genius offers, Globe subscribers can take advantage of the telco’s modernized network, which has already reached almost 80% completion to date, giving customers clearer calls, faster connections, on-time text messages, faster surfing and downloading, as well as more pervasive 3G network and expanded 4G network.
Globe holds a strong partnership with Apple after it exclusively carried the iPhone 3 in 2008 all the way to the iPhone 4 in 2010. This year, pre-orders for the iPhone 5 via the Globe website hit fever pitch, with thousands of subscribers eagerly anticipating to get their hands on the newest iPhone device.
With clearer calls, faster connections, on-time text messages, faster surfing and downloading, including a stronger and expanded 3G and 4G network, Globe just might be genius you’re looking for.
Thursday, January 17, 2013
THE PHILIPPINES CAN BE A GLOBAL LEADER IN ADVERGAMING
by Roger Pe
Who doesn’t know Angry Birds?
It was one of 2012’s biggest buzzwords, a hugely successful smartphone video game that got millions of people worldwide, across all age groups playing like crazy.
This year, the Philippines is on the cusp of becoming a world leader in video-gaming as a proudly made Pinoy video game aims to surpass what Angry Birds has reached in terms of popularity and dollar payback.
But that’s getting ahead of the story.
From a 140 thousand dollar investment, Angry Birds returned with 70 million dollars in revenues. The blockbuster hysteria that it created is a great case study for the growing importance of video games as new media highway for forward-thinking advertisers.
A case in point is the rapidly evolving online, social, and mobile game markets. They all have captured the hearts of Asian and world gamers.
Huge market untapped
Video game is a $48 billion industry and is expected to grow to $68 billion this year. The two-year old online social gaming is worth $600 million and will jump to $1billion by 2013 alone.
Let’s focus our eyes on Asia.
There are more than 180 million online gamers in China and the industry outperforms the national GDP growth.
According to the 2011 China’s games industry annual and 5-year forecast report, published by Niko Partners, a leading research firm specializing in Asian games market, the 2011 growth rate reached 21.4% or a revenue of $5.8 billion.
The World Bank has projected a growth-rate of 9.3% for China’s gross domestic product for the same year. Southeast Asia follows China’s lead, predicted at $1.7 billion with 100 million gamers by 2014. To make the good news even better, paying gamers are now a majority.
A cinemablend.com report declares the Asia-Pacific region as the largest gaming market in the world. It is expected to be the fastest growing region within the next five years.
By 2015, there will be more than 100 million gamers throughout the emerging markets of Indonesia, Malaysia, the Philippines, Singapore, Thailand and Vietnam.
Asia-Pacific also dominates the mobile games industry, accounting for over 60% of the $13.4 billion global market. This has been driven primarily by Japan and South Korea, and now China, the world’s biggest mobile market.
FUN MEDIA
Nike, Nestle, McDonalds are some of biggest brands that have utilized video gaming to connect to its core target more intimately and in a fun way.
Called Advergaming it is fun marketing using a downloadable video game that advertises a product by weaving the brand as part of the game.
“The beauty of it is that it gives you not only online and offline consumer interaction but also results in real time with real metrics,” says Homer Nievera, the man at the helm of Bazinga, Inc., largely responsible for marketing Pinoy digital ingenuity to the world.
As cool as the video games he markets, and a social media expert down to e-commerce and e-wallet, Nievera, “Homerun” to many, prefers to call himself a serial global technopreneur.
Nievera’s prime advocacy is helping start-ups succeed through multiple streams of revenues.
As an expert business developer who has helped local and global tech companies achieve hypergrowth, Nievera is a sought-after consultant and speaker. He currently does the rounds of meetings and conferences for topics such as social entrepreneurship, gamification and hyper sales growth.
Endless possibilities
“In Advergaming, you might see a character having a soft drink, a car driving past a snack food billboard, teeners chatting on their tablets, a gang hanging out in a mall, a dad making a bank transaction, a housewife indulging in a beauty saloon, etc. The possibilities for branding and, most importantly, consumer engagements, are infinite,” Nievera says.
Along with his business and marketing director August Martinez III, Nievera is gungho about selling Pinoy video games to the world – even ‘crazy’ with a cool promo idea offering a brand new Audi for a soon-to-be launched online game on social media.
As for Martinez, “We are an enabling techno-Pinoy company whose main focus is to market world-class Pinoy digital work through innovative technologies and creative solutions,” he proudly says.
Martinez is proud of Bazinga being a digital entertainment company engaged in providing fun to the public through casual and social gaming.
“Starting with our flagship offering, Bazinga World is ready to help talented Pinoys in monetizing their digital ideas,” Martinez exclaims.
Bazinga World
Bazinga came from the word used by celebrity Sheldon Cooper in the sitcom “The Big Bang Theory,” meaning “gotcha” or “eureka”.
The dynamic company has immensely talented, young and innovative people, experts in their respective fields with proven track records. It has grown so fast that it now has offices in California and Texas which help market Pinoy video games and entertainment content worldwide.
“We support local game programmers and developers by providing the right ecosystem to realize their dreams of having their software programs and games see the light of day,” Martinez explains the company’s mission.
Bazinga is poised to be a major global player in digital entertainment. In fact, it is all set to launch a bunch of Philippine made video games globally: WordTrotter and about a dozen exciting more.
All of them created in partnership with undoubtedly, the Philippines’ top digital gaming developer, Palmagick Entertainment whose wizard is Gil de Palma, a UP graduate, writer, artist, filmmaker, and creator of WordTrotter, “the world’s coolest word game,” as described by online video game diehards.
In 2001, the University of the Philippines National Writers Workshop, one of the most prestigious writing fellowships in Asia, awarded de Palma its first fellowship for screenplay.
De Palma was also a finalist in 2007 Asian Television Forum SuperPitch (Singapore); 2003 Moondance International Film Festival (Hollywood); 2002 Cinemanila International Film Festival; Semi-finalist, 2001 Paramount Pictures-Chesterfield Film Company: The Writer's Film Project (Hollywood) and 1999 Big Australian International Screenplay Competition
Apart from WordTrotter, de Palma also was the creator of the superhero pack Taekwondoggs. He is currently co-developing a video game with an international brand of health and beauty products. The game allows players to build a business empire using product purchases built-in to enhance the total gaming experience.
Philippines: World capital for video games
Just like Pinoy world-class animators used by Hollywood and other filmmakers around the world (Hanna Barbera, Walt Disney, Pixar), the Philippines is slowly becoming one of Asia’s biggest sources of online video games to the world.
In WordTrotter, de Palma brings into play the technique of word retention by familiarization—multiplied a thousand fold by the thrill of casual gaming.
It is designed with the non-violent play-and-learn casual gaming model to reach practically all demographic sectors worldwide.
“WordTrotter is unlike any online word game you have played. Here, you’ll meet characters that are able to walk upside down and sideways,” de Palma says.
“The amazing thing about it is you get to build your English vocabulary in the process—whether you like it or not. And you’re going to have so much fun doing it,” he adds.
Want to share the game? Easy. One click and your friends will get it. Want the world to know your top score? Just click. Want to send a free game, power-up gifts, and other game freebies? WordTrotter on Facebook will handle it all for you.
With the continued gamification of media and humans getting wired for fun and games, the troika of Nievera, Martinez and de Palma is poised to put the country on centerstage of world advergaming.
Who doesn’t know Angry Birds?
It was one of 2012’s biggest buzzwords, a hugely successful smartphone video game that got millions of people worldwide, across all age groups playing like crazy.
This year, the Philippines is on the cusp of becoming a world leader in video-gaming as a proudly made Pinoy video game aims to surpass what Angry Birds has reached in terms of popularity and dollar payback.
But that’s getting ahead of the story.
From a 140 thousand dollar investment, Angry Birds returned with 70 million dollars in revenues. The blockbuster hysteria that it created is a great case study for the growing importance of video games as new media highway for forward-thinking advertisers.
A case in point is the rapidly evolving online, social, and mobile game markets. They all have captured the hearts of Asian and world gamers.
Huge market untapped
Video game is a $48 billion industry and is expected to grow to $68 billion this year. The two-year old online social gaming is worth $600 million and will jump to $1billion by 2013 alone.
Let’s focus our eyes on Asia.
There are more than 180 million online gamers in China and the industry outperforms the national GDP growth.
According to the 2011 China’s games industry annual and 5-year forecast report, published by Niko Partners, a leading research firm specializing in Asian games market, the 2011 growth rate reached 21.4% or a revenue of $5.8 billion.
The World Bank has projected a growth-rate of 9.3% for China’s gross domestic product for the same year. Southeast Asia follows China’s lead, predicted at $1.7 billion with 100 million gamers by 2014. To make the good news even better, paying gamers are now a majority.
A cinemablend.com report declares the Asia-Pacific region as the largest gaming market in the world. It is expected to be the fastest growing region within the next five years.
By 2015, there will be more than 100 million gamers throughout the emerging markets of Indonesia, Malaysia, the Philippines, Singapore, Thailand and Vietnam.
Asia-Pacific also dominates the mobile games industry, accounting for over 60% of the $13.4 billion global market. This has been driven primarily by Japan and South Korea, and now China, the world’s biggest mobile market.
FUN MEDIA
Nike, Nestle, McDonalds are some of biggest brands that have utilized video gaming to connect to its core target more intimately and in a fun way.
Called Advergaming it is fun marketing using a downloadable video game that advertises a product by weaving the brand as part of the game.
“The beauty of it is that it gives you not only online and offline consumer interaction but also results in real time with real metrics,” says Homer Nievera, the man at the helm of Bazinga, Inc., largely responsible for marketing Pinoy digital ingenuity to the world.
As cool as the video games he markets, and a social media expert down to e-commerce and e-wallet, Nievera, “Homerun” to many, prefers to call himself a serial global technopreneur.
Nievera’s prime advocacy is helping start-ups succeed through multiple streams of revenues.
As an expert business developer who has helped local and global tech companies achieve hypergrowth, Nievera is a sought-after consultant and speaker. He currently does the rounds of meetings and conferences for topics such as social entrepreneurship, gamification and hyper sales growth.
Endless possibilities
“In Advergaming, you might see a character having a soft drink, a car driving past a snack food billboard, teeners chatting on their tablets, a gang hanging out in a mall, a dad making a bank transaction, a housewife indulging in a beauty saloon, etc. The possibilities for branding and, most importantly, consumer engagements, are infinite,” Nievera says.
Along with his business and marketing director August Martinez III, Nievera is gungho about selling Pinoy video games to the world – even ‘crazy’ with a cool promo idea offering a brand new Audi for a soon-to-be launched online game on social media.
As for Martinez, “We are an enabling techno-Pinoy company whose main focus is to market world-class Pinoy digital work through innovative technologies and creative solutions,” he proudly says.
Martinez is proud of Bazinga being a digital entertainment company engaged in providing fun to the public through casual and social gaming.
“Starting with our flagship offering, Bazinga World is ready to help talented Pinoys in monetizing their digital ideas,” Martinez exclaims.
Bazinga World
Bazinga came from the word used by celebrity Sheldon Cooper in the sitcom “The Big Bang Theory,” meaning “gotcha” or “eureka”.
The dynamic company has immensely talented, young and innovative people, experts in their respective fields with proven track records. It has grown so fast that it now has offices in California and Texas which help market Pinoy video games and entertainment content worldwide.
“We support local game programmers and developers by providing the right ecosystem to realize their dreams of having their software programs and games see the light of day,” Martinez explains the company’s mission.
Bazinga is poised to be a major global player in digital entertainment. In fact, it is all set to launch a bunch of Philippine made video games globally: WordTrotter and about a dozen exciting more.
All of them created in partnership with undoubtedly, the Philippines’ top digital gaming developer, Palmagick Entertainment whose wizard is Gil de Palma, a UP graduate, writer, artist, filmmaker, and creator of WordTrotter, “the world’s coolest word game,” as described by online video game diehards.
In 2001, the University of the Philippines National Writers Workshop, one of the most prestigious writing fellowships in Asia, awarded de Palma its first fellowship for screenplay.
De Palma was also a finalist in 2007 Asian Television Forum SuperPitch (Singapore); 2003 Moondance International Film Festival (Hollywood); 2002 Cinemanila International Film Festival; Semi-finalist, 2001 Paramount Pictures-Chesterfield Film Company: The Writer's Film Project (Hollywood) and 1999 Big Australian International Screenplay Competition
Apart from WordTrotter, de Palma also was the creator of the superhero pack Taekwondoggs. He is currently co-developing a video game with an international brand of health and beauty products. The game allows players to build a business empire using product purchases built-in to enhance the total gaming experience.
Philippines: World capital for video games
Just like Pinoy world-class animators used by Hollywood and other filmmakers around the world (Hanna Barbera, Walt Disney, Pixar), the Philippines is slowly becoming one of Asia’s biggest sources of online video games to the world.
In WordTrotter, de Palma brings into play the technique of word retention by familiarization—multiplied a thousand fold by the thrill of casual gaming.
It is designed with the non-violent play-and-learn casual gaming model to reach practically all demographic sectors worldwide.
“WordTrotter is unlike any online word game you have played. Here, you’ll meet characters that are able to walk upside down and sideways,” de Palma says.
“The amazing thing about it is you get to build your English vocabulary in the process—whether you like it or not. And you’re going to have so much fun doing it,” he adds.
Want to share the game? Easy. One click and your friends will get it. Want the world to know your top score? Just click. Want to send a free game, power-up gifts, and other game freebies? WordTrotter on Facebook will handle it all for you.
With the continued gamification of media and humans getting wired for fun and games, the troika of Nievera, Martinez and de Palma is poised to put the country on centerstage of world advergaming.
Thursday, November 29, 2012
HE BRED THOROUGHBRED CREATIVE DIRECTORS
by Roger Pe
Everything in this agency is ‘disruptive’.
For one, those sparkling Agency of the Year trophies displayed in the foyer make you envious.
From the moment you step into the building, located just across a coffee factory along Yakal Street corner Chino Roces, the creative aroma in the lobby already wafts in the air you want to explore more.
To describe what you see is like using the network’s famous global campaign for Absolut Vodka. Absolut delight.
But that’s getting ahead of the story.
Allow us to disrupt this conversation a bit by getting familiar with “Tibwa” – the cool way people address this awesomely creative ad agency.
TBWA-Santiago, Mangada and Puno is the ad agency some ad industry folks don’t even know what its acronym stands for: Tragos, Bonnange, Wiessedanger and Ajroldi. Surnames of American, French, Swiss and Italian management, marketing, creative and client services experts, in that order. The Filipino managing partners are Jimmy Santiago, Melvin Mangada and Jacinto Puno.
TBWA was established in 1970 in Paris, which the agency founders hoped to tap “the richness of different cultures and the thrust that comes from diversity.”
Since then, TBWA has become part of the Omnicom Group, one of the world’s Big 4, and the holdings company of an agency network with a formidable creative reputation. Two of its sibling agencies are BBDO (Batten, Barton, Durstine and Osborn) and DDB (Doyle, Dane and Bernbach).
Only 12 years old in Manila, the agency is in a different class, in a league of its own, poised to earn the title – the ad agency with the most number of Agency of the Year titles, all of them five and going to its sixth.
Why is this so? The agency practices what it preaches, according to TBWA-SMP Manila founder and managing partner Jimmy Santiago.
“Everyone in the agency is trained in the culture of ‘Disruption’. We are unconventional in our thinking and in what we do. It is evident in our way of life,” he proudly says.
Santiago walks the talk. Where people used to do the same things over and over again, he tells Business Monday: “Before creating an ad, we begin at the root of it all and ask ourselves, what are the business issues?” Call it sound thinking and even sounder creative work, that’s TBWA-SMP for you.
DISRUPTION AGENCY
The agency’s ‘Disruption’ philosophy was written by TBWA’s worldwide chair Jean-Marie Dru in the 90s and has become the network’s global mantra.
In layman’s terms, it is a belief, a religion, a culture of doing things that puts aside the conventional way in order to rise above the clutter and finding new discoveries.
Just how unconventional is TBWA-SMP?
From the unassuming office location to the interior surprise, from the pieces of furniture to exquisitely fine paintings hanging on its walls, from out-of-the-box Christmas party presentation ideas (short films that’ll ultimately become concept presentations to clients) to how they conduct brainstormings, TBWA-SMP is indeed a media arts hub. Even in the way this interview was conducted.
“Melvin Mangada, Chief Creative Officer and one of the agency’s managing partners, makes all the difference,” says Santiago.
Mangada is largely responsible for making TBWA-SMP a sparkling jewel in the TBWA crown in Asia. He sits on the TBWA Worldwide Top 20 Global Creative Directors elite group, which screens the network’s entries to awards shows.
Santiago spotted Mangada in a UP College of Fine Arts thesis deliberation where the latter had the most unusual concept among the rest – “an A3 poster within a poster” for a copying machine brand.
Mangada was offered an Art Direction position straight out of college. The rest is now history, and history is continuously being revised to accommodate his yearly blaze of glory. He is the Creative Guild’s first Hall of Fame awardee.
Multi-awarded Mario Monteagudo, one of Santiago’s aces at Ace-Saatchi, acknowledges his former boss: “Jimmy knows how to bring out the best in you, very inspiring. He was my ECD when I won the Creative Guild’s Print Ad of the Year for 4 consecutive years, he says.”
Santiago was one of 17 children of a carpenter and a peanut vendor in Bulacan’s Baliuag town. A public school awarded him “Natatanging Anak ng Baliuag “in 2005 and picked him one of the “Most Outstanding Alumni” during its Golden Jubilee Year.
At age 14, Santiago was already writing short stories for Liwayway Magazine, and at 19, wrote the Tagalog libretto of Jesus Christ Superstar (Aliw Awards winner for Best Dinner Theatre Musical, 1977). At 20, he contributed teleplays for television.
He was the only student who passed UP college admissions test in his batch. He enrolled in UP CFA and graduated on top of the college’s pioneering advertising course together with Eleanor Modesto who became the first Pinay ad agency country manager in Indonesia.
Santiago started as a copywriter at Ace-Saatchi and rose to become VP Executive Creative Director from 1989 to 1995. Together with a stable of highly talented creative people, they made the agency a hot shop for creativity. The results were resounding successes one after the other, with the agency dominating every Ad Congress and Creative Guild annual competitions.
In 1980, he joined the Metro Pop Songwriting Contest together with Jose Mari Chan with the entry “Hahanapin Ko”. He won the FAMAS for Best Theme Song from a movie “Pakawalan Mo Ako”, collaborating with songwriter Louie Ocampo. He recently contributed to the Second Christmas Album with the song “Pagdating ng Pasko”.
Santiago was a Creative Guild president and a Lifetime Achievement awardee from the same award-giving body. He was elected 4A’s president in 1995 and was Ad Congress Creative Committee chair in 1991, 1997, 1999 and 2001.
YOUTH BELIEVER
Santiago believes in young people. “I believe in fresh graduates. Melvin Mangada was the first-ever fresh grad to become Art Director on the first day of his working life,” he says.
“I believe that people are born into advertising. They can never be made to like advertising. It is a craft so difficult to master but those who are born to be good at it are having a ball doing iconic work,” he says.
As an employer, Santiago believes that the people who leave their agencies for the so-called “challenges outside” are not leaving the agency. They are leaving their bosses.
Management style? “As a department head in need of someone in his department should hire the candidate who has the strongest potential to be his future boss,” Santiago says.
“I believe in “succession”. He cites this example: Cid Reyes, former head of Ace-Saatchi creative department, hired me at Saatchi. Later on Cid reported to me as his ECD. I hired Mon Jimenez Jr (now Philippine Secretary of Tourism) from UP as part of my P&G team at Saatchi. Mon later on became co-equal to me, and Cid when he was promoted to ACD.
“By-passing the CD level, Mon became ECD in 1987. Cid and I were his Creative Directors for a year until Mon left to form Jimenez and Partners. After a few months, I became ECD, that’s when Cid reported to me.”
TBWACADEMY
TBWA-SMP isn’t just an agency. It is an organization with a soul. Santiago and his team conduct a series of lectures on Disruption and Media Arts in different universities like De La Salle, St. Benilde, U.P. and Miriam College. Santiago and Mangada are adjunct professors in U.P. College of Fine Arts.
Yearly, TBWA supports Fine Arts Advertising majors who could not enrol and enter their senior (thesis) year due to lack of finances. “We cover their tuition and allowances until they graduate— no strings attached. When they finish the course, they would be free to apply to any ad agency in the country,” Santiago says.
TREASURE TROVE OF AWARDS
Talk about ad agencies that consistently figure well in Cannes, Clio, One Show, Asia Adfest and Spikes Asia, TBWA-SMP is top of mind, one would run out of space enumerating them. The agency also always lords it over or at least lands in the top 3 of Araw and Kidlat Awards.
This year, the agency was proclaimed Grand Prix winner in the TBWA Disruption Awards for Boysen KnoxOut Project Edsa: Clean Air Campaign, upstaging over 80 countries in the global TBWA network.
The agency says, “the award champions the champions of disruptive thinking, a key methodology for TBWA offices to help businesses fast track their growth strategies.”
Everything in this agency is ‘disruptive’.
For one, those sparkling Agency of the Year trophies displayed in the foyer make you envious.
From the moment you step into the building, located just across a coffee factory along Yakal Street corner Chino Roces, the creative aroma in the lobby already wafts in the air you want to explore more.
To describe what you see is like using the network’s famous global campaign for Absolut Vodka. Absolut delight.
But that’s getting ahead of the story.
Allow us to disrupt this conversation a bit by getting familiar with “Tibwa” – the cool way people address this awesomely creative ad agency.
TBWA-Santiago, Mangada and Puno is the ad agency some ad industry folks don’t even know what its acronym stands for: Tragos, Bonnange, Wiessedanger and Ajroldi. Surnames of American, French, Swiss and Italian management, marketing, creative and client services experts, in that order. The Filipino managing partners are Jimmy Santiago, Melvin Mangada and Jacinto Puno.
TBWA was established in 1970 in Paris, which the agency founders hoped to tap “the richness of different cultures and the thrust that comes from diversity.”
Since then, TBWA has become part of the Omnicom Group, one of the world’s Big 4, and the holdings company of an agency network with a formidable creative reputation. Two of its sibling agencies are BBDO (Batten, Barton, Durstine and Osborn) and DDB (Doyle, Dane and Bernbach).
Only 12 years old in Manila, the agency is in a different class, in a league of its own, poised to earn the title – the ad agency with the most number of Agency of the Year titles, all of them five and going to its sixth.
Why is this so? The agency practices what it preaches, according to TBWA-SMP Manila founder and managing partner Jimmy Santiago.
“Everyone in the agency is trained in the culture of ‘Disruption’. We are unconventional in our thinking and in what we do. It is evident in our way of life,” he proudly says.
Santiago walks the talk. Where people used to do the same things over and over again, he tells Business Monday: “Before creating an ad, we begin at the root of it all and ask ourselves, what are the business issues?” Call it sound thinking and even sounder creative work, that’s TBWA-SMP for you.
DISRUPTION AGENCY
The agency’s ‘Disruption’ philosophy was written by TBWA’s worldwide chair Jean-Marie Dru in the 90s and has become the network’s global mantra.
In layman’s terms, it is a belief, a religion, a culture of doing things that puts aside the conventional way in order to rise above the clutter and finding new discoveries.
Just how unconventional is TBWA-SMP?
From the unassuming office location to the interior surprise, from the pieces of furniture to exquisitely fine paintings hanging on its walls, from out-of-the-box Christmas party presentation ideas (short films that’ll ultimately become concept presentations to clients) to how they conduct brainstormings, TBWA-SMP is indeed a media arts hub. Even in the way this interview was conducted.
“Melvin Mangada, Chief Creative Officer and one of the agency’s managing partners, makes all the difference,” says Santiago.
Mangada is largely responsible for making TBWA-SMP a sparkling jewel in the TBWA crown in Asia. He sits on the TBWA Worldwide Top 20 Global Creative Directors elite group, which screens the network’s entries to awards shows.
Santiago spotted Mangada in a UP College of Fine Arts thesis deliberation where the latter had the most unusual concept among the rest – “an A3 poster within a poster” for a copying machine brand.
Mangada was offered an Art Direction position straight out of college. The rest is now history, and history is continuously being revised to accommodate his yearly blaze of glory. He is the Creative Guild’s first Hall of Fame awardee.
Multi-awarded Mario Monteagudo, one of Santiago’s aces at Ace-Saatchi, acknowledges his former boss: “Jimmy knows how to bring out the best in you, very inspiring. He was my ECD when I won the Creative Guild’s Print Ad of the Year for 4 consecutive years, he says.”
Santiago was one of 17 children of a carpenter and a peanut vendor in Bulacan’s Baliuag town. A public school awarded him “Natatanging Anak ng Baliuag “in 2005 and picked him one of the “Most Outstanding Alumni” during its Golden Jubilee Year.
At age 14, Santiago was already writing short stories for Liwayway Magazine, and at 19, wrote the Tagalog libretto of Jesus Christ Superstar (Aliw Awards winner for Best Dinner Theatre Musical, 1977). At 20, he contributed teleplays for television.
He was the only student who passed UP college admissions test in his batch. He enrolled in UP CFA and graduated on top of the college’s pioneering advertising course together with Eleanor Modesto who became the first Pinay ad agency country manager in Indonesia.
Santiago started as a copywriter at Ace-Saatchi and rose to become VP Executive Creative Director from 1989 to 1995. Together with a stable of highly talented creative people, they made the agency a hot shop for creativity. The results were resounding successes one after the other, with the agency dominating every Ad Congress and Creative Guild annual competitions.
In 1980, he joined the Metro Pop Songwriting Contest together with Jose Mari Chan with the entry “Hahanapin Ko”. He won the FAMAS for Best Theme Song from a movie “Pakawalan Mo Ako”, collaborating with songwriter Louie Ocampo. He recently contributed to the Second Christmas Album with the song “Pagdating ng Pasko”.
Santiago was a Creative Guild president and a Lifetime Achievement awardee from the same award-giving body. He was elected 4A’s president in 1995 and was Ad Congress Creative Committee chair in 1991, 1997, 1999 and 2001.
YOUTH BELIEVER
Santiago believes in young people. “I believe in fresh graduates. Melvin Mangada was the first-ever fresh grad to become Art Director on the first day of his working life,” he says.
“I believe that people are born into advertising. They can never be made to like advertising. It is a craft so difficult to master but those who are born to be good at it are having a ball doing iconic work,” he says.
As an employer, Santiago believes that the people who leave their agencies for the so-called “challenges outside” are not leaving the agency. They are leaving their bosses.
Management style? “As a department head in need of someone in his department should hire the candidate who has the strongest potential to be his future boss,” Santiago says.
“I believe in “succession”. He cites this example: Cid Reyes, former head of Ace-Saatchi creative department, hired me at Saatchi. Later on Cid reported to me as his ECD. I hired Mon Jimenez Jr (now Philippine Secretary of Tourism) from UP as part of my P&G team at Saatchi. Mon later on became co-equal to me, and Cid when he was promoted to ACD.
“By-passing the CD level, Mon became ECD in 1987. Cid and I were his Creative Directors for a year until Mon left to form Jimenez and Partners. After a few months, I became ECD, that’s when Cid reported to me.”
TBWACADEMY
TBWA-SMP isn’t just an agency. It is an organization with a soul. Santiago and his team conduct a series of lectures on Disruption and Media Arts in different universities like De La Salle, St. Benilde, U.P. and Miriam College. Santiago and Mangada are adjunct professors in U.P. College of Fine Arts.
Yearly, TBWA supports Fine Arts Advertising majors who could not enrol and enter their senior (thesis) year due to lack of finances. “We cover their tuition and allowances until they graduate— no strings attached. When they finish the course, they would be free to apply to any ad agency in the country,” Santiago says.
TREASURE TROVE OF AWARDS
Talk about ad agencies that consistently figure well in Cannes, Clio, One Show, Asia Adfest and Spikes Asia, TBWA-SMP is top of mind, one would run out of space enumerating them. The agency also always lords it over or at least lands in the top 3 of Araw and Kidlat Awards.
This year, the agency was proclaimed Grand Prix winner in the TBWA Disruption Awards for Boysen KnoxOut Project Edsa: Clean Air Campaign, upstaging over 80 countries in the global TBWA network.
The agency says, “the award champions the champions of disruptive thinking, a key methodology for TBWA offices to help businesses fast track their growth strategies.”
Sunday, November 18, 2012
IN AN EXPAT-LADEN REGION, THIS PINAY BRAND BUILDER ROSE TO THE TOP
by Roger Pe
She idolized the likes of Brandon Tartikoff, the television guy who made many primetime hit series (“The Golden Girls”, “Punky Brewster”, “Knight Rider”, “Empty Nest”, etc) and Barry Diller, the media executive who created Fox Broadcasting Company.
She could have been a scriptwriter or a network star.
To pursue them, she took up masters of communication arts, majoring in writing and tv production in Los Angeles’ Loyola Marymount University after graduating from Ateneo de Manila.
Though fate intervened, she still ended up in a related field – advertising.
On her very first ad agency, Mitos Borromeo was tasked to manage multinational brands because she was perfectly fit for the role.
She was cut to be a leader early on because she had a commanding presence and she never feared to express her thoughts when she was right.
On her way to tougher positions in advertising, she became a client services director around Southeast Asia.
She was destined to be because it was up her alley, an expat in the truest sense of the word who spoke English with ease in a corporate world surrounded by tough multinational brand builders.
Mentoring, training, accounts servicing on the job, battle-tested Borromeo was one fine example of a Pinay who succeeded in foreign expat-laden region.
No wonder she became an executive vice president in Thailand for two years, a managing director of a giant multinational ad agency in Manila, eventually expanding into a bigger and challenging role - CEO of a multinational media agency, and coming full circle in an atmosphere she’s very at home with.
In the lead role at Bates 141 Philippines today, Borromeo’s career is colorful, each sequence as vivid as the colors of life, each episode, an enthralling story in itself and as exciting as Tartikoff’s series.
She first handled Colgate-Palmolive brands at DYR (Dentsu, Young & Rubicam) Alcantara (formerly Grant Advertising which became Y&R Manila that had also bought out the Alcantara family).
She was naturally piratable. Lintas, predecessor of Lowe Worldwide, gave Borromeo more space to grow as a management supervisor. Her account management style would bring her to the huge, complex Indonesian market handling the Unilever business for six years.
Together with Eleanor Modesto, the Filipina country manager at Lintas Jakarta, Indonesia’s biggest ad agency, she did strategizing and herculean efforts to improve the ad agency’s accounts servicing standards.
She would soon spread her wings to Lintas Bangkok replicating her Jakarta role as advisor and on to executive management position. “Though English was a problem, I had fun with the Thai people,” she says on the lighter side.
Next was Lowe Malaysia where she was once again on top of a highly demanding job, making sure that the agency’s bread and butter business were in place. She handled the confectionery business of her agency in Kuala Lumpur.
She’ll discover that one of her strengths was handling operations. Over a decade of managing different brands and clients in different markets, Borromeo was ready to to go back to the country. She was appointed Managing Director of J. Walter Thompson Manila.
OFF TO BIGGER THINGS
The booming media business was transforming Manila’s advertising landscape. It was time for Borromeo to go for bigger challenges.
Mindshare, the global marketing and media network with 115 offices in 82 countries throughout the USA, Latin America, Europe, Middle East, and Asia Pacific, beamed on the horizon.
Borromeo was picked as Managing Director largely because she was a non-media person. The company needed someone who had a grip on the bigger picture, somebody with a broader scope and knew how to develop strategies, meeting them and making plans realized.
Her star shone brightly even more in 2004 when GroupM hired her as CEO of the Philippine office.
GroupM has over 17,000 employees around the world with 400 offices scattered in 81 countries.
The company is also under WPP Group, formed to serve as the parent company of the holdings company’s media agencies: Mindshare, Mediacom, Maxus, MEC, and Kinetic (the world’s largest outdoor media agency) among others.
It handles over 32% of the world's media billings, making it the world's largest media investment management operation.
Borromeo wore two hats at the same time, the person in-charge of Mindshare and GroupM. “I find pleasure in solving a problem in each of this organization,” she tells Inquirer Sunday Biz.
For that, she was greatly rewarded. At the
Philippine 4As Agency of the Year Awards, the most desirable and credible in the Philippines, according to industry folks, Mindshare won the Media Agency of the Year four consecutive times.
She woke up one day, tired and said: “I want to enjoy life.” Borromeo travelled across the globe and changed the course of her career. Rejuvenated when she came back, she joined Good Thinking, Inc., a communications company owned by Ferdie Frejas and Issa Baron, as a strategy consultant.
Today, she’s made a 360-degree turn and back to managing an ad agency she wants clients to respect for its creative output, and wholistic approach to marketing.
“I want people to think of Bates 141 spontaneously because our work speaks for itself,” Borromeo says.
Called an exceptional talent by former regional chair Tim Isaac because of her diverse perspective, Borromeo is right on track to be a formidable agent of change in the agency.
True enough, the agency recently won new businesses from Wyeth. “We go after for new business opportunities rather than wait for them to come to us,” she says.
Her management style?: Borromeo builds on people’s strengths and uses them to boost their efficiencies. “I would defend people to the end if they can show me that they’re right. I love being challenged. I prefer people with their own perspective and point-of-view,” she stresses.
For advertising freshmen, the Bates brand started in 1940, with Ted Bates as the founding father. He grew it to become the world’s fourth largest agency group.
WPP bought Bates in 2003, but the latter’s management team in Asia fought to keep the company alive and retained its BatesAsia 141 name.
In 2008, BatesAsia 141 re-branded as Bates 141 with a new logo. It also announced the acquisition of Singapore-based 10AM, one of the most creatively awarded ad agencies in Asia.
Thursday, November 8, 2012
CAN YOU EVER FORGET THESE ADS?
by Roger Pe
Some ads are memorable, some ads pass like a ship in the night, quietly, barely noticed.
Sometimes it takes only one element in an ad that makes it unforgettable. Like the way the end shot of a commercial is edited.
When Alice Dixson turned to the camera after saying the line “I can feel it!” at the end of that Palmolive commercial, it stuck to the minds of consumers.
But more than that, it takes a big idea, uniqueness, inventiveness, new touch or insight, production excellence, creative catchphrase that make ads memorable.
Things we call triggers and hooks, rational or emotional that are able to connect to us.
Here are a few more:
“THE GODFATHER” (Del Monte Spaghetti Sauce, McCann-Erickson)
Part of a series that made the brand bestselling, largely because of an effective commercial that was outstanding, technically. Produced with attention to the littlest detail. The camera work had the quality of a Hollywood movie you wouldn’t think it was shot by a Pinoy.
The story replicates Francis Ford Coppola’s Oscar award-winning movie of the same title. The lead talent who played Mario Puzo’s famous character was perfect, complete with mumbling Italian accent.
Talk-of-the-town during its time and made the agency popular for its well-crafted tv advertising.
“TONYO” (Duty-Free, Basic Advertising)
Milette, the OFW’ wife of Tonyo couldn’t contain her excitement with the homecoming of her dear husband. At the old Naia airport, she shouts his name and hysterically runs towards him past the long immigration queue.
She almost trips into several baggage carts, but who cares? As soon as they embrace into each other’s loving arms, the haunting song “Babalik Ka Rin” by Gary Valenciano wafts on air.
Many people connected with this ad no wonder it consistently landed on the list of of ‘all-time favorites’. Sensitively portrayed by PETA actors and actresses.
“MESSAGE SENT” (Smart Telecom, DDB Philippines)
A simple ad with a simple message that was delivered with a strong punch. The full-page print ad came out in the country’s main broadsheets right at the heels of Edsa People Power 2.
The visual: a hand with a cellphone that says, “Message Sent” on the screen in digital font. The hand is set against a backdrop of that memorable part of our history: Edsa Dos.
The first telecom ad to win a major creative award, Ad of the Year and bagged “Araw” Silver in the 2001 Ad Congress. Creative team: Dax Dacayan (now a tv commercial director) and Gabby Alcazaren.
“DINING OUT” (Visa, BBDO-Guerrero)
The commercial opens in the kitchen with the chef giving his approval - the soup is good to go. When it is served to fine-dining Zhang Ziyi, yes, the Chinese superstar of “Crouching Tiger, Hidden Dragon” fame, she finds it “too salty”.
The chef feels insulted, goes berserk and runs amuck with all the waiters ready to gang up on her. All the elements of a Chinese Kung Fu movie begin to unravel: stunning sommersaults, sidewall calisthenics, chandelier death-defying stunts, axe throwing, name it. Zhang does it with nary a scratch on her porcelain skin.
After dust has settled in the restaurant destruction, could she pay all the bills in the wake? Leave it to Visa. Multiple Clio statues winner in 2002, masterpiece of David Guerrero, BBDO-Guerrero agency founder, Chairman and CCO.
“PLANT BILLBOARD” (Coke, McCann-Erickson)
A 60-by-60-foot billboard mounted on Edsa, approaching Guadalupe from Makati made many people suffer severe stiff neck.
Why, the entire billboard was covered with real plants, Fukien Tea Plants, to be exact. So?
Each plant was said to absorb up to 13 pounds of carbon dioxide, helping alleviate air pollution within the confines of the area, absorbing a total of 46,800 pounds of carbon dioxide from the atmosphere.
The whole billboard was environmentally friendly. The plants were contained in 3,600 pots made from old Coke bottles and designed to help the plants grow sideways.
According to the agency, “the potting mixture was made from industrial byproducts and organic fertilizers, and a drip irrigation system was installed, allowing water to drip slowly to the roots of plants, through a network of valves, pipes, tubing, and emitters.”
“RILES” (UP Alumni Association, TBWA-SMP
If there is such thing as waterworld, brace yourself for the railwayworld, a permutation of the harsh life in Manila’s railways. Unbeknownst to our rich brethrens, poverty has given birth to a sub-life in this part of the city.
Memorable, because of its hard-hitting social commentary: “The longer they stay, the longer they squat.” A literally moving piece addressed to our politicians, who continously fall blind to the long time social problem: how to decongest the city of urban squatters who are used only for their voting bloc power and then forgotten.
Never before an ad gave us a visually gritty documentary, toured us to the deep bowels of the railway slum area and enlightened us.
“DEAF” (Globe Telecom, Harrison Communications)
She is a pretty girl in her office attire, in a hurry as she walks along the sidewalk. She’s exchanging text messages with her boyfriend, looking forward to her dinner date with him.
She arrives at the restaurant and her boyfriend is there. We see them face-to-face from outside of the window, and by their body language, we know that they’re madly in love. And then, they start using sign language.
We find out that both of them are deaf. The commercial used actual deaf talents in producing this poignant ad, powerful story, written by Emily Abrera.
“DONUT, BAI” (2001 Cebu Ad Congress, Ace-Saatchi & Saatchi)
“Mango, Bai, “Danggit, Bai”, “Donut, Bai”. Did you hear the latter as “do not buy”? Regardless, it’s more ‘pun’ in the Philippines.
Webster defines pun as “a form of word play that deliberately exploits ambiguity between similar-sounding words for humorous or rhetorical effect.”
Indeed, the agency exploited the phrase beautifully and brought home with a sackful of awards for its Ad Congress campaign on print, radio and tv, enroute to making that year also one of the most memorable ad congresses ever
“BOOBS” (AMA Computer College, Campaigns & Grey)
Written by the acknowledged Queen of Philippine radio advertising, Ompong Remigio, this radio commercial breaks a lot of rules. It is not your usual over-the-top, saccharine, heavily emotive Filipino tearjerker with barking and over-zealous announcer.
It is candid, honest, sincere conversation between mother and daughter about going to college and finding a better life – with a comedic touch.
Mom says she will do the best she can to send her to college even if she ‘crawls on the ground’. The lines are engaging from the beginning to the end, and delivered naturally so one’s tendency is to eavesdrop on what they are saying.
The highlight is when daughter says, “mag-bold star na lang kaya ako?” to which her mom says: “Wala kang boobs.”
Thursday, November 1, 2012
UNFORGETTABLE FILIPINO ADS
by Roger Pe
They may not have won awards or may have won some but the fact remains: many people loved them when they were launched and still talk about them many years after.
How does an ad become memorable and what makes it as such?
Do the ‘cab test’ and listen to Jeff Goodby.
Goodby, who? Jeff Goodby is the other half of Goodby, Silverstein and Partners, one of the world’s most creative and, note the word, effective, ad agencies. He just did a high profile tv commercial for a US President Barack Obama.
Goodby’s ‘cab test’ is a piercing look into the real market. In his stinging Ad Age article, he called some sectors in the ad industry as “irrelevant award-chasers.”
“When you get into a taxi and tell the driver that you’re in advertising, and they ask whether you’ve done anything they might be familiar with, what have you got to say?,” he said.
Goodby continued his rebuke saying “Majority of things we’re rewarding as an industry are either small or marginal efforts for legitimate clients. We’ve created a system that rewards work that is increasingly unknown to anyone outside the business.”
He has a point. Indeed, the taxi driver, the man on the street, the housewife cooking “Tinola” for her family at home, students burning the midnight candle, the blue and white collar worker, market vendors - the consumers as a whole, determine which ads are memorable. Not the award judges.
“Commercials are memorable because they can stand the tests of time. You don’t get bored seeing them again and again because they are able to connect to you,” says a well-known creative director.
Would you remember the ads you saw last night three years from now? Probably yes, probably not.
“A memorable ad is seen by a great number of people. What’s a great ad if only the creators and insomniac people saw it”, says a university communications art professor.
Ad agencies have different formula for making memorable tv commercials. When you look at them closely, they’re all one and the same, only the jargons vary.
Here are a few examples, the yardstick, to which their ads are measured:
Does it deliver the ROI (relevance, originality, impact)? Is it disruptive, does it imprint the lovemarks, create humankind advertising, extraordinary, focus on the product and nothing but the product, resist the usual, rise above the clutter, etc.
A memorable ad is simple, but not simplistic. It should immediately engage with the audience it is talking to within a few seconds.
It can be understood by the world, even if it is culturally unique. It has a universal appeal.
A memorable ad makes you smile, you learn a new insight that no one has told you before, expressed in an unusual way.
“One cannot pull a heartstring if your ad is irrelevant,” says a top marketing guy. “An ad without emotion cannot bond with the audience,” he adds.
Having said those, Sunday Biz recaps the most memorable Filipino ads based on a 10-month research. The criteria for being memorable are based on both creativity and effectivity. It is not one without the other.
“LOLO” (McDonald’s, Leo Burnett).
Before it became the first Philippine tv commercial to win gold in Asia’s toughest award competition, “Lolo” was already a favorite among millions of Filipino tv viewers.
People still remember Karen, the grand daughter whom her grandfather oftenly mistakes as Gina. Memorable for its simplicity and big idea, the burger-slicing scene was heart-tugging and made people cry.
“I like the commercial for several reasons,” says University of the Philippines College of Fine Arts Associate Professor Mitzi Reyes.
“It touches the heart to see this heartwarming scene of the grandfather showing his love and care for the granddaughter despite his failing memory and Karen, showed her love by being patient, understanding and spending time with her grandfather,” Reyes says.
Reyes says the scene may happen to one’s family and watching the ad actually made her feel like watching her own father in his old age. “The scene is so real and the acting is natural,” she exclaims.
“A commercial becomes memorable when there is simplicity and clarity in the presentation, whether the approach is humorous, dramatic or slice of life,” Reyes says.
“NOVICES” (Del Monte Spaghetti Sauce, McCann-Erickson)
Brilliant copywriting. Beautifully-produced. Made like a Hollywood movie. The tv commercial dramatizes the product’s ease of preparation when perfectly-cast talents played roles as nuns doing their daily backbreaking duties. Spawned a series of ads that packaged a local brand as premium. Rose to the sales charts unchallenged.
“CLEOPATRA” (Superwheel Detergent Bar, J. Walter Thompson)
If some people cannot remember this ad it’s probably they weren’t born yet at the time when it was at its all-time high, recall and purchase-wise.
For those who enjoyed it every time it ran on television, it was The Detergent Bar, bar none.
The campaign used pastiche of famous characters, building the brand to the top. Elizabeth Ramsey mouthed a monster catchphrse: “Magapatuka na lang ako sa ahas.”
“ANGAT SA IBA” (Sarsi, Basic Advertising)
Literally stood out from a sea of boring tv commercials in the 80s for its visual design, verve, vitality and pride for one’s own.
When the agency pitched for this account, the client was so mesmerized with its idea it was handed the account in silver platter – just a few minutes after the presentation. If aired today, it would still give you goosebumps, the mark of a true classic.
“PUNK” (Globe Telecom, Harrison Communications)
A breakthrough campaign during its launched, when all telco ads were rational, features and price driven.
This charming commercial endeared many viewers because it was about real people.
Starred “a goth, rocker chick” as Maricel Arenas, former GM of the ad agency, describes the role of the lead talent.
As her parents wait for her to be driven to school, her mom couldn’t stand her messy room and rock music. But dad has a soft side and the “real” daughter who may look like a toughie actually cares for and loves her mom.
“ISANG PLATITONG MANI” (San Miguel Beer Pale Pilsen, PAC, Philippine Advertising Counselors)
Good-natured humor with people from different backgrounds finding a common ground, Rico J. Puno, Jockey Domingo, the late boxing great Gabriel “Flash” Elorde and Bert ‘Tawa’ Marcelo star in this landmark, heavyweight, star-studded tv commercial.
Over a pitcherful of San Miguel Beer, Marcelo orders “Inihaw na Pusit”, Domingo asks for “Kalderetang Baka” and Rico J, prefers “Crispy Pata”. Flash Elorde becomes the final arbiter and referee by making everyone settle for, you guessed it, a dishful of roasted peanuts.
“ULIANIN” (Union, Creative Partners)
Creative Guild’s Print Ad of the Year in 1997, created by last year’s Creative Guild of the Philippines’ Lifetime Achievement honoree Mario Monteagudo. Perhaps, one the most memorable Filipino print ads that came out in the 80s and still as witty as it is today. Penned by one of the country’s talented advertising men.
“IMPATSO” (Motillium, TBWA/Santiago, Mangada & Puno)
Parody on US President Barack Obama’s visit to Malacanang, excellent casting for both Obama and former president Gloria Macapagal-Arroyo. In a state dinner tendered by the latter for the historic meeting, Obama suffers indigestion.
Howlingly funny, outstanding script, and inspired direction, how can anyone forget this?
FITA (My San Biscuits, Lowe Worldwide)
So irresistibly delicious you just can’t part with it. Seated on a bench at the park, a young man is about to take his last two pieces of Fita. From his left, a girl beats him to it and grabs it. He is left with the last piece but an old lady comes near him and wants it.
He is adamant but breaks it into two. Old lady turns into a beautiful fairy and rewards him with a wish. He answers, “sports car.” He gets it, an actual sports cut in half, loudly dropping from the sky.
They may not have won awards or may have won some but the fact remains: many people loved them when they were launched and still talk about them many years after.
How does an ad become memorable and what makes it as such?
Do the ‘cab test’ and listen to Jeff Goodby.
Goodby, who? Jeff Goodby is the other half of Goodby, Silverstein and Partners, one of the world’s most creative and, note the word, effective, ad agencies. He just did a high profile tv commercial for a US President Barack Obama.
Goodby’s ‘cab test’ is a piercing look into the real market. In his stinging Ad Age article, he called some sectors in the ad industry as “irrelevant award-chasers.”
“When you get into a taxi and tell the driver that you’re in advertising, and they ask whether you’ve done anything they might be familiar with, what have you got to say?,” he said.
Goodby continued his rebuke saying “Majority of things we’re rewarding as an industry are either small or marginal efforts for legitimate clients. We’ve created a system that rewards work that is increasingly unknown to anyone outside the business.”
He has a point. Indeed, the taxi driver, the man on the street, the housewife cooking “Tinola” for her family at home, students burning the midnight candle, the blue and white collar worker, market vendors - the consumers as a whole, determine which ads are memorable. Not the award judges.
“Commercials are memorable because they can stand the tests of time. You don’t get bored seeing them again and again because they are able to connect to you,” says a well-known creative director.
Would you remember the ads you saw last night three years from now? Probably yes, probably not.
“A memorable ad is seen by a great number of people. What’s a great ad if only the creators and insomniac people saw it”, says a university communications art professor.
Ad agencies have different formula for making memorable tv commercials. When you look at them closely, they’re all one and the same, only the jargons vary.
Here are a few examples, the yardstick, to which their ads are measured:
Does it deliver the ROI (relevance, originality, impact)? Is it disruptive, does it imprint the lovemarks, create humankind advertising, extraordinary, focus on the product and nothing but the product, resist the usual, rise above the clutter, etc.
A memorable ad is simple, but not simplistic. It should immediately engage with the audience it is talking to within a few seconds.
It can be understood by the world, even if it is culturally unique. It has a universal appeal.
A memorable ad makes you smile, you learn a new insight that no one has told you before, expressed in an unusual way.
“One cannot pull a heartstring if your ad is irrelevant,” says a top marketing guy. “An ad without emotion cannot bond with the audience,” he adds.
Having said those, Sunday Biz recaps the most memorable Filipino ads based on a 10-month research. The criteria for being memorable are based on both creativity and effectivity. It is not one without the other.
“LOLO” (McDonald’s, Leo Burnett).
Before it became the first Philippine tv commercial to win gold in Asia’s toughest award competition, “Lolo” was already a favorite among millions of Filipino tv viewers.
People still remember Karen, the grand daughter whom her grandfather oftenly mistakes as Gina. Memorable for its simplicity and big idea, the burger-slicing scene was heart-tugging and made people cry.
“I like the commercial for several reasons,” says University of the Philippines College of Fine Arts Associate Professor Mitzi Reyes.
“It touches the heart to see this heartwarming scene of the grandfather showing his love and care for the granddaughter despite his failing memory and Karen, showed her love by being patient, understanding and spending time with her grandfather,” Reyes says.
Reyes says the scene may happen to one’s family and watching the ad actually made her feel like watching her own father in his old age. “The scene is so real and the acting is natural,” she exclaims.
“A commercial becomes memorable when there is simplicity and clarity in the presentation, whether the approach is humorous, dramatic or slice of life,” Reyes says.
“NOVICES” (Del Monte Spaghetti Sauce, McCann-Erickson)
Brilliant copywriting. Beautifully-produced. Made like a Hollywood movie. The tv commercial dramatizes the product’s ease of preparation when perfectly-cast talents played roles as nuns doing their daily backbreaking duties. Spawned a series of ads that packaged a local brand as premium. Rose to the sales charts unchallenged.
“CLEOPATRA” (Superwheel Detergent Bar, J. Walter Thompson)
If some people cannot remember this ad it’s probably they weren’t born yet at the time when it was at its all-time high, recall and purchase-wise.
For those who enjoyed it every time it ran on television, it was The Detergent Bar, bar none.
The campaign used pastiche of famous characters, building the brand to the top. Elizabeth Ramsey mouthed a monster catchphrse: “Magapatuka na lang ako sa ahas.”
“ANGAT SA IBA” (Sarsi, Basic Advertising)
Literally stood out from a sea of boring tv commercials in the 80s for its visual design, verve, vitality and pride for one’s own.
When the agency pitched for this account, the client was so mesmerized with its idea it was handed the account in silver platter – just a few minutes after the presentation. If aired today, it would still give you goosebumps, the mark of a true classic.
“PUNK” (Globe Telecom, Harrison Communications)
A breakthrough campaign during its launched, when all telco ads were rational, features and price driven.
This charming commercial endeared many viewers because it was about real people.
Starred “a goth, rocker chick” as Maricel Arenas, former GM of the ad agency, describes the role of the lead talent.
As her parents wait for her to be driven to school, her mom couldn’t stand her messy room and rock music. But dad has a soft side and the “real” daughter who may look like a toughie actually cares for and loves her mom.
“ISANG PLATITONG MANI” (San Miguel Beer Pale Pilsen, PAC, Philippine Advertising Counselors)
Good-natured humor with people from different backgrounds finding a common ground, Rico J. Puno, Jockey Domingo, the late boxing great Gabriel “Flash” Elorde and Bert ‘Tawa’ Marcelo star in this landmark, heavyweight, star-studded tv commercial.
Over a pitcherful of San Miguel Beer, Marcelo orders “Inihaw na Pusit”, Domingo asks for “Kalderetang Baka” and Rico J, prefers “Crispy Pata”. Flash Elorde becomes the final arbiter and referee by making everyone settle for, you guessed it, a dishful of roasted peanuts.
“ULIANIN” (Union, Creative Partners)
Creative Guild’s Print Ad of the Year in 1997, created by last year’s Creative Guild of the Philippines’ Lifetime Achievement honoree Mario Monteagudo. Perhaps, one the most memorable Filipino print ads that came out in the 80s and still as witty as it is today. Penned by one of the country’s talented advertising men.
“IMPATSO” (Motillium, TBWA/Santiago, Mangada & Puno)
Parody on US President Barack Obama’s visit to Malacanang, excellent casting for both Obama and former president Gloria Macapagal-Arroyo. In a state dinner tendered by the latter for the historic meeting, Obama suffers indigestion.
Howlingly funny, outstanding script, and inspired direction, how can anyone forget this?
FITA (My San Biscuits, Lowe Worldwide)
So irresistibly delicious you just can’t part with it. Seated on a bench at the park, a young man is about to take his last two pieces of Fita. From his left, a girl beats him to it and grabs it. He is left with the last piece but an old lady comes near him and wants it.
He is adamant but breaks it into two. Old lady turns into a beautiful fairy and rewards him with a wish. He answers, “sports car.” He gets it, an actual sports cut in half, loudly dropping from the sky.
Subscribe to:
Posts (Atom)
Blog Archive
-
►
2008
(451)
- February (71)
- March (153)
- April (26)
- June (3)
- July (39)
- August (40)
- September (24)
- October (35)
- November (33)
- December (27)
-
►
2009
(132)
- January (15)
- February (8)
- March (9)
- April (2)
- May (3)
- June (2)
- July (14)
- August (13)
- September (16)
- October (7)
- November (36)
- December (7)
-
►
2012
(52)
- January (4)
- February (6)
- March (4)
- April (2)
- May (2)
- June (19)
- July (2)
- August (2)
- September (4)
- October (3)
- November (4)
-
►
2013
(28)
- January (3)
- February (1)
- March (2)
- April (4)
- May (2)
- June (3)
- July (3)
- August (2)
- September (2)
- October (2)
- November (3)
- December (1)
-
►
2015
(52)
- January (2)
- February (1)
- March (16)
- April (13)
- May (4)
- June (1)
- July (1)
- August (2)
- September (1)
- October (3)
- November (3)
- December (5)
-
►
2016
(37)
- January (10)
- February (5)
- March (4)
- April (1)
- May (2)
- June (1)
- July (3)
- August (2)
- September (2)
- October (3)
- November (1)
- December (3)




























